Thursday, September 17, 2020

Thomas's Pandemic Diaries: Conversations with Londoners

One nagging paranoia I have as an American overseas is that every time I open my mouth, it feels like any number of self-congratulatory statements fall out. It's not that I'm completely self-centered and feel the need to advertise how "awesome" my life is - it's just that to fill in the awkward silences I'll often go to a comfortable subject: Me. As one British acquaintance put in nicely back in San Francisco: In America, the conversation is all about "me" and in Britain, it's all about "you". And "you", essentially, are always a more intriguing subject and I say this as a people-person, a writer, and a lifelong learner. So why do I revert to the subject of "me" and at a louder volume than what is acceptable in the Old World.


Paul Bunyan and his Blue Ox in Klamath, California Trees of Mystery site. Paul Bunyan is a lumberjack figure in North American folklore and tradition. One of the most famous and popular North American folklore heroes, he is usually described as a giant as well as a lumberjack of unusual skill, and is often accompanied in stories by his animal companion, Babe the Blue Ox. Original image from Carol M. Highsmith’s America. Digitally enhanced by rawpixel. Public Domain


Asking about "you" is always good manners but California convinced me otherwise. In the Golden State I would semi-frequently get suspicious looks if I inquired about someone too soon in an exchange - almost as if I was trying to steal their identity. Back in Boston, it was different. I knew the chummy codes. The Irish and Irish-Americans are known for being warm and familiar (perhaps slightly nosy); we love to place people biographically and are usually up for a chat. I remember the tremendous relief I felt when someone in California took a moment of interest in me and asked some questions as to my background. I almost felt like hugging them.

Perhaps the culture in San Francisco plays it safe; to be politically correct and insist on strong boundaries, for it's a place with a lot of drifters and people who are ambitious and have a tech-intelligence with all its social awkwardness. Instead of having to learn the latest twisty rule in San Francisco political correctness, sometimes it's best not to ask anybody of anything. Oh, I had my punk-rock dogwalking community, complete with personal jabs and dirty jokes. But with strangers it was different. In San Francisco it was very rare for someone to meet your gaze when passing you by on the sidewalk. In London and Boston, it just seems like common decency, a bit of shared connection, especially when there are few other people around. That San Francisco disregard bothered me to no end.


The Transamerica Pyramid is the tallest skyscraper in the San Francisco skyline and one of its most iconic. Although the building no longer houses the headquarters of the Transamerica Corporation, it is still strongly associated with the company and is depicted in the company's logo. Designed by architect William Pereira and built by Hathaway Dinwiddie Construction Company, at 260 m (850 ft), upon completion in 1972 it was among the five tallest buildings in the world. Columbus Tower, also known as the Sentinel Building is a mixed-used building in San Francisco, California completed in 1907. Original image from Carol M. Highsmith’s America. Digitally enhanced by rawpixel. Public Domain.


London, too, has its reserved moments but I've made some dear friends in my Master's program. Of course, in lockdown, it's been difficult to make new friends but surprisingly several people have given me their mobile numbers at the tail end of the first encounter. Still, there has to be some sort of sensible breaking of the ice - one can't just start in immediately on Camus or how toxic masculinity is just misdirected grief. So I've developed a list of the safest subjects in any country with strangers, acquaintances, even family members of a different political stripe. The four safe subjects are as follows: 

1.) the weather (okay so not super-imaginative but there's a lot you can build on here);

2.) films, books, and television (just prepared to be shocked at the different taste levels); 

3.) travel and vacations (my favorite - although probably not the best when chatting with the boss at a new job);

4.) the dog by a stranger's side or the birds in the trees. Dogs are the better ice-breakers though - talking about the birds may seem a little flighty (no pun intended).

Illustration of midsummer eve from The Costume of Yorkshire (1814) by George Walker (1781-1856). Original from The New York Public Library. Digitally enhanced by rawpixel. Public Domain.



As a presence in public, The Londoner is cool, reserved, and respectful. As the pandemic has dragged on, I've found my courage more and more in approaching an individual and making the first move in conversation. But be warned, once the floodgates are open, it's hard to even slip in an utterance of agreement with the English. I still stumble on some terms or references that the Brits use but do my best to at least slip in a joke (the drier the better). These conversational patterns seem to manifest regardless of age, background, skin color, or class. I find that the vast majority of the British know how to behave and are happy for a chat.

One thing that is not acceptable is a robust and hearty laughter in a public setting. The Brits and most other Europeans consider it vulgar. Try an experiment next time you are on Netflix: check out either a British or American comedian performing in front of a British audience and notice the staccato waves of laughter from the audience when the comedian lands a joke. There could be several titters of laughter throughout the set but each fit is short-lived. And then compare it to an American audience who try to outdo one another in enjoyment.

Waterloo Bridge, Sunlight Effect (1903) by Claude Monet. Original from the Art Institute of Chicago. Digitally enhanced by rawpixel. Public Domain.



Lastly, the average Brit has an exceptional vocabulary. They regularly pepper their conversations with words like shambolic, innocuous, riveting, scheme and devolution. Even their common adjectives have a shine to them: instead of nice, awesome or perfect (overused American terms that need to start collecting their social security), the Brits use words like lovely, brilliant, and splendid. The Irish even have a favorite go-to: grand. The vocabulary level alone is one of the reasons we may stay here indefinitely; it's like a bubble bath for the mind.


Thursday, September 10, 2020

Thomas's Pandemic Diaries: The Decade Trend-Lines of Our Media Journeys (through 2019)

 Oh, the joy of grafting media trends onto neat, little decade timelines. When it comes to entertainment history told through media, trends take a natural form. Producers share techniques and fans share recommendations all in line with the mores of the zeitgeist. Media is a creative, organic ecosystem where many play their part. Media history often mistakenly relies on a "Great Man Theory" explanation of innovation. We should give credit to some tenacious individuals like Mark Zuckerberg of Facebook and Steve Jobs at Apple who goose others along.  Let's not forget, however, that the values of a given age shape and mold the great men. The times define and shape us as much as we define and shape our times. 



"Bette Davis cor 60" by Luiz Fernando Reis MMF is licensed under CC BY 2.0


Decades, in particular, have their own shape-making ways. I finally saw this year's "Once Upon a Time in Hollywood," on Amazon Prime. Although I find Tarantino a bit too violent -- what upset me was one of the advertised descriptions. Its setting in 1969 Los Angeles is described as the "Golden Age of the Hollywood," but I argue that that crown really belongs to both the 1930s and the 1940s and to stars like Bette, Joan, and Humphrey. The title rightfully belongs to those earlier decades when we retrospectively consider star power and ticket sales. But it's more about what people were craving during the Great Depression. Moviegoers desired escapism -- from the ravages of the tough times and World War II. And the best way to escape was through "the pictures."







Granted 1969 may have well been the start of Hollywood's second Golden Age, a time when method acting met up with bigger budgets and an increasing appetite for shock and violence. But the 1930s reigns supreme. You never forget your first Golden Age.










Hollywood Sign: Public Domain


So oftentimes with these great pronouncements, the slipper doesn't fit but we pretend otherwise. What I've learned in my postgraduate journey in library and information science, is that these mediums shape our behaviour and society much more than we give them credit for. The wizard behind this media philosophy curtain is Canadian-born, 1960s Information Philosopher, Marshall McLuhan. Hailing from "The Toronto School," McLuhan's most famous work and idea is that "the medium is the message." Later on he went even further, publishing a slim, psychedelic-tinged primer in 1967 called "The Medium is the Massage." The latter title paints the reality that the mediums we choose for entertainment and communication shape human behaviour far more than we give them credit for. The "Massage" part (however an icky or desirous image) is that if we get into the media too much, it can act as a near hypnotic, and can (roughly paraphrasing) "work us over completely." McLuhan's ultimate point is that it's not so much the content of the news that is shaping our habits and world-views but the way in which it is delivered and consumed that leaves a lasting impression.












"Marshall McLuhan Speaks" by Cea. is licensed under CC BY 2.0


When thinking about McLuhan and his theory, we can start to discern the invisible hand of the mode or the format and its role in human history. For my point about media trends, picture (no pun intended) those old stories from your grandparents, who all went to catch a film on the big screen on Saturday during the Great Depression. Kids and adults alike, a nickel for each viewing. These films were a true escape from the despair, or at least, discomfort, of those lean years.


Certain decades gave us certain technologies which instilled certain behaviours. Here are a few of the peaks or least the popular waves of when the medium has met the moment:

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The 1960's, for instance, was Peak Music: a flourishing made possible by the British invasion as well as the festive and gospel-tinged anthems coming out of the Civil Rights Era, the Women's Movement, the optimism of the young Boomers. Think: jazz, pop, folk-rock, soul, and northern soul.

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1970's, arguably, saw the peak of the big-budget film. Think The Godfather, Jaws, several James Bond movie franchises, the gritty Taxi Driver as well as quiet hits like Love Story and the critically-acclaimed Ordinary People.


"Jaws" by kevin dooley is licensed under CC BY 2.0


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The 1980s saw the rise of video games and music videos. The era, along with the late 70s, was considered another golden age of music as a diverse number of genres came to the fore: punk-rock lead by the Sex Pistols in the UK, disco pop by Abba in Sweden as well as the rise of post-punk, new wave, EDM, garage rock, rap and hip-hop out of both the US and UK.


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The 1990s saw a mix of a diverse forms of new music (grunge from Seattle, riot grrrl movement in Olympia and the Pacific Northwest, more hip-hop and rap including gangsta rap coming out NYC, Philly and L.A., indie-rock from all over and EDM (Electronic Dance Music) spearheaded by African-American DJ's and producers in Chicago and Detroit. The era also saw the rise of power pop, brit-pop, twee pop and indie rock coming out of the UK.


In the 90s, we also saw a new phenomenon: talk and/or "shock" radio and the 24/7 televised news cycle brought to you by Fox News and CNN. Tabloid news was also huge as were scandalous stories that seemed to drag on for years.








"Best HD Game of thrones facebook cover" by Tatiana_0000 is licensed under CC BY 2.0

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The first decade of the 2000s (which many refer to as the aughts or naughts or naughties) gave birth to the undisputed age of Peak TV starting roughly with gritty and dark melodramas like The Sopranos and Six Feet Under. This peak continued with the Twenty-Teens with the global fantasy phenomenon, Game of Thrones, whose last episode aired in May of 2019. All three shows I should mention were HBO productions. The Twenty-Teens also saw a diversity in small screen viewing options. Hit shows were not relegated to network TV or pay-for-extra cable. Amazon, Netflix and Hulu were now in the game: pushing streamable content. More recently they started to produce their own phenomenal content.h (Starting in 2015, the three behemoths even started to snag a few Primetime Emmy awards.) 



"HBO / Game of Thrones - Iron Throne Taipei showcase" by blog.woodford is marked with CC0 1.0


So what about the 2020s? What will reign this decade? I foresee Peak Audiobook and Peak Podcast. Find out why next time at Know Your Shelf Better. 😀